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Music Editing for Flick and Television
The Art and the Process

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Book Description

Making music for the movies is a complicated, involved, and challenging process. Music Editing for Film and Boob tube covers the practical skills needed to successfully hone your craft. Through an overview of the music editing process, this book will equip y'all with detailed techniques to solve musical bug encountered during editing. An abundance of interviews with well-known professionals provide a broad range of perspectives on music editing for film, while special features address an array of projects, from a low-budget documentary, to a Hollywood blockbuster, to indie projects.

Table of Contents

Table of Contents

Acknowledgements

Foreword

Preface

Chapter ane: Introduction

Chapter 2: Postproduction

Chapter iii: The Team

Chapter 4: The Music Spotting

Affiliate v: Temp Editing

Affiliate 6: Editing Songs and Source Music

Affiliate 7: Musicals and On-Camera Songs

Chapter 8: Working with a Composer

Chapter nine: Working with a Picture Editor

Chapter ten: Conforming

Chapter eleven: The Film Mix, or Dub

Affiliate 12: Delivery Requirements

Appendix A: Interview with Scott Gershin

About the Author

Author(south)

Biography

Steven Saltzman, MPSE is a music editor and composer based in Los Angeles, CA.  He received his Bachelors of Music in composition and moving picture scoring from Berklee Higher of Music and is a certified Avid Pro Tools instructor.  He has been editing music for pic and television for the past eighteen years. In improver, Steven has lectured nationally, and he has created and taught numerous music editing courses. A recipient of a Golden Reel Award for music editing, Saltzman is besides a member of the Move Picture Editors Guild, the Lodge of Composers and Lyricists, and he sits on the lath of the Motion-picture show Sound Editors Guild.

Reviews

"This is a 'must-read' for anyone considering a career in music editing, too as a really useful reference book for anyone in sound post-production...Steven Saltzman is apparently a gifted teacher, equally the book gently introduces you to who'due south who in the squad involved, through providing the music rail plus detailed observations from working professionals in an like shooting fish in a barrel Q&A style...This book volition most certainly continue my listing of recommended reading for upwards-and-coming sound department professionals." - Wendy Laybourn FBKS, Network Nine News

"Saltzman does a fantastic chore at detailing the work the music editor will become through from the start to the end...The interviews [of industry professionals] in the book are a fantastic bonus equally well...This book is non simply a good resource for music editors, just for anyone who is a part of the filmmaking process." - Ashley Kristoff, Raindance Moving picture Festival

"Making music for the movies is a complicated, involved, and challenging process. Music Editing for Picture and Goggle box covers the applied skills needed to successfully strop your craft. Through an overview of the music editing process, this book will equip you with detailed techniques to solve musical bug encountered during editing." - Lori Barth, The Score

"Music Editing for Film and TV production has e'er required a unique set of skills and procedural noesis that complement the inter-relationship of sound and visual elements of each individual product. The skill set up and creative experience of a music editor must continue to meet the ever-changing complexities of professional work. Steve Saltzman'due south book is a noble effort that presents these challenges and remedies in an relaxed, but comprehensive manner. If music editing for moving-picture show and TV is of interest to you, the invaluable information within his book will both enlighten and inspire you." - Don Wilkins, Chair Emeritus, Berklee Film Scoring Section